Olga Maslova has designed costumes and sets for leading directors and choreographers across the United States, South America, and Europe, including Bill T. Jones and the Arnie Zane Company, Dan Sullivan, Christopher Bayes, Daniel Helfgot, Ron Daniels, and Pedro Salazar. Her work has been praised by The New York Times as "stylish," by The Boston Globe as "beautiful," by Opera News as "spectacular," and by Backstage as "authentic," with her designs ranging from "eye-popping" to "madly inventive."

Recent highlights include Le Nozze di Figaro (2022) and Tosca (2021) at Teatro Mayor in Bogotá, Peter Grimes (2022) at the Amazonas Theatre in Manaus, Candinho (2023) and Black Square (2024) at Tryon Festival Theatre, Everest and Aleko for Chicago Opera Theatre (2019), Dido and Aeneas and Florencia en el Amazonas at Teatro Colón in Bogotá, and the ballet Flight in Kathmandu, Nepal.

This page presents a small selection of Olga’s costume work. You can view her full costume design portfolio at  https://olgamaslova.com/about

In addition to her design work, Olga teaches a range of innovative courses in costume design, including Social Psychology of Clothing, Costume Dramaturgy, Nonlinear Theatre Costume Design, Kabuki Costumes, and Costume and Fashion History from Prehistory to the Modern Day. She is currently an Associate Professor of Costume Design at the University of Illinois at Urbana-Champaign.

Kathmandu, Nepal, creating costumes for the ballet Flight, 2019